Where should originals sit after a performing note closes, and does a blank endorsement change the answer
Purchase agreements on performing notes sometimes come back with two clauses worth rereading closely. One, the endorsement is in blank on an allonge, not endorsed specifically to the buyer. Two, the original note stays at the seller's document custodian and the buyer gets a bailee letter naming them as the party the custodian holds for, with delivery to the buyer's custodian within a set window, often thirty days of funding. The seller side of that argument is that this is how institutional paper moves and that shipping originals around is how notes get lost. That is fair. A blank endorsement also lets the buyer sell it later without another allonge from the original seller. The buyer side is that a blank endorsement on paper sitting in someone else's vault means the thing that proves who is entitled to enforce is out of the buyer's hands, and the only document standing between them and a dispute is a letter. Thirty days is also thirty days of the seller holding what is functionally bearer paper. The counterargument to that: keeping originals in a fireproof box at home is not obviously better than a custodian with insurance and a chain of custody log, and if that box is lost, the remedies available for a lost note differ by state. So where should originals live after a performing note closes, and does the blank endorsement change the calculus. Both structures are defensible, but they call for different protections, and the protection worth insisting on is a tight, verifiable timeline in writing rather than a handshake on thirty days.
After closing a performing note, where should the original live?
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