How a solo real estate photographer should structure pay for a first second shooter
Consider a solo real estate photographer, five years in, who mostly shoots photo plus a short vertical video and turns down eleven jobs in a busy month for lack of a second body. Hiring someone to cover that overflow sounds simple until the pay structure has to be settled, and it is common for that decision to still be open the week before a new hire starts. A useful version of the numbers: average invoice of $310 per property, about 34 properties a month, a shoot running 70 minutes on site plus 50 minutes editing. If the editing stays with the original shooter and the new hire only drives and shoots, two structures tend to get compared. Flat $85 per shoot, which at 15 shoots a month is $1,275, with the shooter covering their own gas. Or hourly at $28 with a two hour minimum per job, landing closer to $840 for the same 15 shoots, with drive time paid on the far jobs and the total moving every week. The flat rate is simple but pays the same for an 1,100 square foot condo and a 4,000 square foot house with a pool, and the larger jobs are usually where careful work matters more than speed. There is also the contractor question: whether a flat per-shoot arrangement holds up as contractor status depends on state rules about control and schedule, which is worth a conversation with someone licensed rather than a guess. The number that ends up in the offer message tends to follow from how much the schedule, not just the pay, is being controlled.